Posts Tagged ‘review’

The X-Files: You’d Better Believe It!

July 26, 2008

I want you to believe there are little to no spoilers below.

Ten years ago The X-files hit theaters in a big way. Trailers depicted cavemen, aliens, corn fields, men in black suits, explosions and little boys falling into holes. The X-Files: Fight the Future was a serious summer event. Having latched onto the series in it’s fourth season, I did the best I could in late night reruns to catch up on the first few seasons and get an idea of the overall mythology of the series before seeing the movie. I’ll admit, I still don’t really get it. I remember black ooze, aliens, a syndicate and Mulder’s little sister going missing. Oh yeah, and Skully was supposed to be immortal. Some of those pieces to the puzzle fit into Fight the Future, and the film acted as an arc between seasons. As a newcomer to the series with half an idea of the overall story, the film was quite entertaining.

Now, this summer Mulder and Skully return in The X-Files: I Want to Believe. The subtitle of the film comes from a poster seen in Mulder’s office and was a common catchphrase of the series. Another phrase of the series, “Trust no one”, appears in the opening credits for many episodes. It is in these conflicting phrases that the dynamic of Mulder and Skully is revealed. Mulder wants to believe the unbelievable while Skully trusts logic and rarely trusts anyone. The series relied and thrived on this dynamic. And despite the aliens, garbage monsters, detachable conjoined twins and telepathic death row inmates; Skully continued to be skeptical of the paranormal up until the series end.

Picking up six years after the last episode, The X-Files: I Want To Believe drops the alien mythology that either fascinated or confounded viewers. Rather, the film relies on the dynamic of Mulder and Skully in a much smaller, personal and still very creepy X-file. Mulder and Skully are still their old selves yet are a little closer than they were in the series. After six years together in hiding, the two have a questionable relationship. The words “boyfriend” and “girlfriend” are never used, and yet they live together. I think they’d like to think it’s because Mulder is still wanted for his actions in the last season, but really they can’t live without each other. Mulder and Skully are a perfect example of yin and yang, dark and light. And while Mulder truly thrives in the dark and Skully seeks the light, they both have a bit of the other in them (that’s what those little dots in the yin and yang mean). The focus of the film isn’t so much the case, the case is what’s necessary to bring Mulder and Skully together and to bring back their old dynamic. In working through the case, a deeply personal story is told of belief and disbelief. The X-Files: I Want To Believe is simply that at its core, an allegorical tale of belief and how wanting to believe can lead to the light or the dark.

For viewers looking for a huge summer event movie, look elsewhere. The X-Files: I Want To Believe is cold, creepy and deeply touching for those who know the characters of Mulder and Skully.

Four out of Five pencils stuck in the ceiling

Superhero Film #245: Iron Man

June 16, 2008

I remember waaaaaaay back in 1989 while riding in a cart through the local grocers seeing what at the time and probably to this day what was the BIGGEST cereal toy I have ever seen: the Batman bank. Shrink-wrapped to a box of Batman cereal, the free toy overshadowed the box! I had to have it, and having obtained the holy grail of kids cereal toys, I now HAD to see this Batman movie. I knew little of Batman at the time, being only five years old at the time. Much of my knowledge was based on the advertising that was coming out at the time. I knew Batman lived in a giant mansion with a butler named Alfred and that Batman loved Diet Coke and hated the Joker. Regarding the Joker, based on an action figure that I owned I knew that he could turn his white skin to pink when left in the freezer for ten minutes and back to white when placed in hot water.

While the Batman marketing machine greatly influenced my life in ’89, it wasn’t until the VHS release of Batman that I witnessed the film itself. I loved Batman! The film had every element that would later become the standard for telling a superhero movie. (A)The hero’s origin is told, (B)the hero and supporting cast do their thing, (C)the villain’s origin is depicted and an evil scheme is set in motion, (D)the hero faces the villain and the villain dies. Then, the final shot features the hero flying/climbing/leaping through the city as a voice-over states what they have learned, what they promise to do and they usually end with “I am (insert hero name here)!”. Roll credits. As time passed Spider-Man, The X-Men,The Punisher, Daredevil, Hulk, The Fantastic Four, Batman Begins and Superman Returns arrived and each of these films followed the Batman format. And as each film came, my excitement and wonder dwindled. Sure these are excellent films, but I’ve seen the format so many times that now I’ve come to expect A,B and C to occur to reach D. Sum everything up in an inner monologue. Roll credits.

Now here we are in 2008, dozens of superhero films later and “Iron Man” has come and I’ve seen it. And while A,B, C and D occur, there are surprisingly a lot of elements that go left when a usual superhero movie goes right. What follows are The Top Five Ways “Iron Man” Stands Out From The Rest

1: Location

While 95% of the superhero movies exist in New York or the East coast, Iron Man is set in Los Angeles, California. A smart move for the film’s creators, this change from the comic books original NYC setting gives the film a different look and feel. Sort of a glossy, stark look. And yes, that was an unintentional Tony Stark pun.

2: Time Period

“Iron Man” successfully places the story in the present day. While the film could very well have been a period piece set during the 1963, thankfully our country is now in a very similar military situation in another part of the world. Replace Vietnam with Western Asia, and voila – Iron Man circa 2008! Thank you terrorism.

3: Visual Effects

Iron Man is at the advantage in visual effects with a metal suit concealing all signs of humanity. The CG double seamlessly blends with the tangible Iron Man suit, something other spandex-clad heroes struggle with when jumping between live action and digital. See the noodly Peter Parker of “Spider-Man” for an example of digital double gone wrong.

4: Villain

Tony Stark fights “The Dude” in a giant robot suit. While not groundbreaking, Jeff Bridges is the goofiest actor to play a bad guy since Willem Dafoe.

5: Final Scene

In the final moment of the film, Tony is asked who REALLY is the man inside Iron Man. Tony admission of “I’m Iron Man.” assures us that the sequel will avoid the secret identity plot which at this point is gasping for originality in the superhero film genre.

When it all comes down to it, is “Iron Man” a truly great superhero film?
No, it’s not great. In a genre of film that has become heavily saturated in the last twenty years, “Iron Man” goes in the good pile but doesn’t impact the genre enough enough to join the ranks of “Superman” (1978), “Batman” (1989) and “Spider-Man” (2002). If you see one superhero film this summer (that isn’t a sequel) see “Iron Man”, if you want a superhero film that could reinvent the genre see “The Dark Knight”.